The Return of Bigfoot also sees the debut of Steve Austin's hideous moustache |
There is one new development in season four, though, which makes its presence immediately apparent and certainly caused some degree of consternation when, as a Steve Austin obsessed eight-year-old, I first sat down to watch the opening episode, The Return of Bigfoot (a two-part story where the second instalment also acted as season opener for the second series of The Bionic Woman): the imperturbably cool bionic hero was now seen proudly sporting, without anyone ever commenting upon it's incongruous presence, a distracting piece of facial ornamentation on his upper lip! I remember being horrified by Steve Austin’s moustache at the time, although it seems a trivial matter to get so worked up over now. It's just that Majors’ new look somehow didn’t feel right for the character of Steve Austin as far as my former eight-year-old self was concerned; and there does seem a vaguely defined sense in which this small detail of recalcitrance in the facial grooming department also becomes a symbol for how Majors was possibly starting to act bigger than the show and throwing his 'star' weight around behind the scenes. It always feels to me, even now, as though it is Lee Majors to whom this on-screen moustache truly belongs, and not Steve Austin! The actor apparently grew the offending article without first okaying it with the show’s producers, who were none too pleased when they found out about it (after belatedly reviewing the dailies for the first episodes of that coming season) because it meant that episodes from across different season batches could no longer now be as seamlessly mixed & matched when it came to the running of repeats.
The only person with more hair than either Steve Austin or John Saxon in The Return of Bigfoot: Ted Cassidy is the new, even more powerful Sasquatch. |
You’d have thought Jaime
Sommers might have had a gentle word in his ear about it before the facial
fungus got out of hand, but The Return of
Bigfoot sees both the Bionic Woman and Steve Austin faced with more immediately
perplexing problems … such as a renegade gang of criminal aliens led by a hirsute
John Saxon, who’ve stolen the Bigfoot cyborg and have started using him to
commit a series of daring raids on sensitive institutions, including banks that've been holding
vital reserves of gold bullion and secret nuclear power centres. This is Saxon’s
second appearance on the show following his memorable stint as a remote-controlled
robot in season one. This time he’s hiding behind a bushy beard and playing
Nedlick -- formerly one of the group of peaceful alien scientists that set up its hidden research base under the California Mountains and which were encountered by Steve in
the season three story The Secret of
Bigfoot. Nedlick and his cohorts have gone bad, and want to take control of
the Earth away from ‘inferior’ humans. They’ve already damaged the power
generator sustaining their original outpost in order to stop their former
comrades from pursuing them, and they’ve also taken control of the mighty Sasquatch
by making the simple creature believe that the life of his mistress Shalon
(Stephanie Powers) depends on him following their orders. Sasquatch has been
carrying out the raids for Nedlick’s group, who are planning on using the
components they’ve managed to obtain in order to devise a shield to protect
their New Mexican base while they drill farther into a geothermal vent with the intent to
tap its great power as part of their bid for world domination. Unfortunately, as viewers
of The Secret of Bigfoot will doubtless
remember, Steve had all memory of his adventures with the Sasquatch, Shalon and
her people completely wiped from his mind by the aliens at the end of that
story - so they could preserve their anonymity while continuing with their remote surveillance
and research programme. As far as the intelligence services are concerned, the
only possible explanation which can fully account for the level of damage perpetrated during this
series of raids is that the assailant must have bionic capability. Steve becomes the number one suspect, even in the eyes of a disbelieving Oscar
and Rudy! Only Jaime continues to trust in Steve’s integrity, despite his
inability to remember or explain what’s really going on, even after being reminded of the Sasquatch foot cast which was previously recovered in the California Mountains. So Steve is forced to go in the run to clear his name and find the real culprit, because the authorities order Oscar to have Austin's bionics tuned down to normal strength!
Pixieish alien Gillian (Sandy Duncan) arrives to seek Steve's help in the battle against Nedlick. |
John Saxon plots world domination in The Return of Bigfoot. |
Jaime Sommers (Lindsay Wagner) pleads with aliens Shalon (Stephanie Powers) and Gillian (Sandy Duncan) for help in saving the dying Steve Austin in The Return of Bigfoot. |
A Bionic Christmas Carol is essentially just what its title suggests it is: a spoof re-telling of the Charles Dickens Christmas classic, but acted with tongue firmly in cheek. It starts with a deadpan scene set in Oscar’s office, during which you can almost see Lee Majors and Richard Anderson struggling to keep straight faces as Steve hands his boss a Christmas gift and is crestfallen when Oscar sheepishly reveals he’s forgotten to get his pal anything in return (Steve then grumpily bends the table lamp that Oscar has just unwrapped as a present from him, and claims its a piece of modern art!). Even worse, Steve’s planned Christmas holiday with his parents at home in Ojai has now had to be cancelled; instead, he’s given a last-minute assignment: to get to the bottom of some production problems concerning the work being done at the factory of one of the OSI's major suppliers, after it was commissioned to develop components for a life support system that's to be used on an important mission to Mars. At first surprised that the factory would even still be in operation over the Christmas period, Steve soon discovers why in fact it is: penny pinching boss Horton Budge (Ray Walston) is making his dispirited workforce graft right the way through most of the Christmas period, and as well as indulging in classic Scrooge-like behaviour such as forcing Christmas carollers to be removed from the site for interrupting his workers, he’s also been cutting costs by making sure the components the factory is making for the OSI mission only comply with the barest minimum legal standards of workmanship!
Capitalist miser Horton Budge (Ray Walston) is shown the error of his ways by a heavily disguised bionic man, in A Bionic Christmas Carol. |
Steve tries to make carnival worker Kim (Cheryl Miller) believe the crazy plot of Carnival of Spies - but with little success! |
A typical, not-in-the-least-stereotypical representation of a teenager who is interested in science. Lanny Horn as Danny Lasswell in Danny's Inferno. |
Some of the other episodes which also make
use of off-the-wall ideas such as the one above include the entertaining episode Danny’s
Inferno, in which Steve befriends a bespectacled, frizzy-haired teenage science
geek (Lanny Horn) who has accidentally stumbled upon a new form of thermonuclear
energy in his mom's garage, that could alleviate the world’s dependency on oil. Unfortunately, young
Danny Lasswell doesn’t really know how he’s created this marvellous wonder fuel
from simply messing around with random ingredients. The OSI’s
sensors detect the massive explosion his amateur experiments cause above the skies of a
built-up suburban region of the city, and Oscar sends Steve out to investigate.
But others have got there first -- in particular a corrupt official who befriends
the young lad and persuades him to hand over the rest of the valuable solution
he’s still got stored back at his mother’s house. The mixture inevitably gets
sold on to a shady conglomerate whose corrupt boss wants to know the formula at any cost,
and who sets out to kidnap the boy genius -- unaware that Danny has no idea how
he’s managed to come up with this amazing discovery in the first place! This story has a
pronounced comic feel to it. The villains are largely bunglers and Steve’s
relationship with Danny is what drives most of the episode's events. Of course,
Danny’s interest in science means that he has to be kitted out in oversized
Woody Allen-style black specs and made as socially awkward and geeky as anyone
interested in science always is on TV, particularly in 1970s TV. But there’s some
amusing interaction here with, for example, the OSI’s top fuel scientist, who is brought in to work out the formula for the kid's invention but becomes increasingly exasperated at Danny’s inclusion of some rather unorthodox
ingredients, and the boy's less-than-precise means of recording his experiments. There’s
also an amusing scene in which Steve, now acting in his capacity as bodyguard to
the imperilled teen, comes to sleep over on the spare bed in Danny’s bedroom and reveals --
rather unconvincingly, it has to be said -- that he was once also a teenage nerd
who couldn’t get any attention from pretty girls ... Yeah, right!
One attempt at a similar sort
of humour in the episode Double Trouble,
comes off rather less successfully though. An old-school nightclub entertainer called Billy Parker
(played by Flip Wilson: an African
American TV comedian, famous at the time, but unknown outside the US either then
or now) just happens to look exactly like a visiting African head of state,
recently elected after proposing to end his country’s long association with the
Eastern Bloc and forge friendly relations with the United States instead. A
scientist working for ‘the other side’ has come up with a conveniently
clever space-age device that can change and control the behaviour of any person after
its implanted in the base of their brain. The plotters have already implanted their
gizmo in the unsuspecting lookalike comedian’s head and are planning on kidnapping the
African prime minister he resembles before he can deliver his alliance-changing speech at
the African Embassy. The remote controlled double under the direction of the
kidnappers, will then deliver the speech the Soviet Bloc wants to hear instead. There’s
a scene in which the gang behind this plot test the implant in Billy’s brain by
forcing the hapless performer to carry out all sorts of embarrassing actions --
such as clucking like a chicken or removing his shoe and attempting to eat it
Charlie Chaplin style -- while he’s on stage attempting to deliver his act to an all-white club audience.
This means we have to listen to a large chunk of the comedian’s material beforehand; most
of it, it has to be said, is based around an excruciating tale about a racist parrot! The
audience is clearly finding it a bit painful as well, but tellingly, Billy gets his
biggest reaction when he extorts his audience to ‘laugh or I’ll come and rob
your house!’ By this point, it’s a relief when the dastardly plotters start
wreaking his act by forcing Billy to perform their outlandish test actions! Any thing's better than listening to this weak 1970s racism.
Dr Franklin (John Houseman) demonstates what makes the perfect woman tick, in a scene from Kill Oscar. |
Constantine is not terribly
convinced that such an outlandish plan could ever work because these robotic mannequins
can’t demonstrate self-will and could never think for themselves; but a perplexed
Dr Franklin merely responds: ‘Since when is thinking for herself an asset… in a
woman?’ In fact, Franklin’s deliciously casual sexism here, leads him to the logical conclusion
that his Fembots are actually superior to
flesh and blood women … because they are so unerringly obedient! This is a rare
trip into satire for the series (although remember, this first episode is a Bionic Woman episode and not The Six Million Dollar Man -- which
often seemed quite comfortable with its own casual sexism, if not quite this blatantly) --
for Franklin’s plan actually comes very close to succeeding precisely because the
attitudes he so glibly expounds to Constantine are also endemic (if unspoken) to
the office culture at the OSI -- where Oscar’s loyal secretary Peggy Callahan (Jennifer
Darling) has previously confided in Jaime Sommers (Lindsay Wagner) that she feels
unappreciated and overworked. When Both Callahan and Rudy Wells’ secretary Lynda
Wilson (Corinne Michaels) are both replaced by Franklin’s physically perfect Fembot
replicas, no-one notices apart from Jaime who, having spent time with the
women, knows enough minor detail about their lives to be able to catch the Callahan
Fembot in a lie after having been first alerted to something not being
quite right with her when her bionic ear picks up the high-pitched radio
control frequency Franklin uses to control his creations.
The team assembles: from left to right Lynda Wilson (Corinne Michaels), Jaime Sommers (Lindsay Wagner), Callahan (Jennifer Darling), Dr Rudy Wells (Martin E Brooks) and Jack Hanson (Jack L Gling) |
A perfect replica yes, but Dr Franklin still hasn't mastered the art of making robots whose faces don't come off when they fall over! |
A soggy Jaime Sommers (Lindsay Wagner) about to show sexist criminal mastermind Dr Franklin (John Houseman) whose really the boss. |
After one episode of garish
comic satirical fantasy and another that re-stages the more popular action elements
of previous bionic/robot fighting face-offs, staged between Steve and the
various robot replicas of Chester Dolenz in past seasons, the three-part story
ends with a team mission for Steve and a revived Jaime Sommers that has a
distinct James Bond flavouring to it. Franklin takes on the air of a
stereotypical Bond villain – reconvening with his Fembots, and a loyal technical
expert, to a remote tropical island from which he starts unleashing random weather related
chaos on the world. The Air Force can’t get close enough to bomb his island
base and because Franklin is still holding Oscar and Callahan as his prisoners, Steve
and Jaime manage to persuade an eccentric elder Air Force general to let them
have a go at sneaking onto the island by being fired out of a submarine hidden in torpedo casings (the same idea
was previously used in one of the pre-series TV movies) to stage a rescue
mission before the army does anything too drastic. Franklin’s hubris and his crazed
determination to prove that his Fembots are better than Rudy Wells’ bionics
eventually leads the embittered rogue scientist to a reckless act of self-destruction
and the tropical storms he unleashes on the island to try and tame Steve and
Jaime also cause the collapse of a dam that is protecting his high-tech base
from being flooded and washed away. Franklin survives at the end of this epic tale
though – suggesting that he might well have made a comeback in the future if
circumstances had been right. The interesting thing about Franklin as a villain
is that once he has successfully pulled off his plot of stealing the weather control
device from the OSI and taking revenge on Rudy and Oscar for his past
treatment, he really has no idea what to do next. He plays the role of a mastermind
who wants to dominate the world with a sort of ironic flourish rather than any
real burning desire. This gives him a sort of likability, and even Steve and
Jaime appear not to bear too much of a grudge at the end of it all -- despite the
near destruction of the OSI and the worldwide chaos brought about at his hands. When Jaime threatens to pick
him up and carry him out of his underground control room if he doesn’t leave the
base as he’s been told to, Franklin’s outrage and puzzlement at being defeated
and then talked down to by a woman is played with a baffled air, as though his world
has just been turned upside down, by the amusingly fruity-toned Houseman. ‘Leave me my dignity, please!’ he splutters. ‘Miss
Sommers, you're a very determined young woman, with a mind of her own. I've
always said that was a defect in a woman.’
Steve's about to cop it, and only Jaime can save him in The Return of Bigfoot. |
Rudy Wells fixes up Steve's damaged arm in Vulture of the Andes. One of several bionic injuries sustained during the course of the season. |
Mad Rudy, infected by a chimp bite, leaves his bionic friend hanging around in The Most Dangerous Enemy. |
In the episode The Most Dangerous Enemy, Steve is incapacitated while he
and Rudy are visiting a remote island on which a young female scientist by the
name of Cheryl Osborne (Ina Balin) has been working on an intelligence boosting
serum which she’s been testing on captive chimpanzees. Her animal experiments
go disastrously awry though, and her best chimp test subject not only gains extra
intelligence but increased strength as well, then proceeds to escape and run
amok on the island. Steve’s bionic-related troubles in this instance derive from an
unexpected source: Rudy gets bitten by the super-chimp escapee and himself becomes a
crazed superman who, now deranged by the serum-infected bite, is intent
on hanging on to his new-gained powers at any price. After Dr Osborne informs him that the
serum will kill Rudy if its antidote isn’t administered quickly enough, Steve attempts
to persuade his scientist pal to allow himself to be injected with the
normalising agent, but ends up falling into a disabling trap super-Rudy sets up to
immobilise him and which gums up the servomotors in his legs, leaving him
hanging helpless by his feet from a tree.
‘I made you … and only I know how to stop you!’ the OSI genius reminds
his bionic colleague.
It may look more like a garbage disposal unit but this is actually an unstoppable Soviet-made killing machine! |
Action based episodes,
usually involving the participation of the US air force and partaking of stock footage featuring military
aircraft in action; McGuffins which take the form of secret weapons technologies, and the
various espionage plots inevitably related to them: these are the elements that are the spur for a
collection of much more straightforward adventures this season. Nightmare in the Sky features Farrah
Fawcett-Majors in her final guest appearance on the show, once again playing the character
from her Season One debut, the pilot Kelly Woods. After experiencing a
bizarre hallucination during a test flight for a new experimental aircraft,
during which a World War II fighter appears to force her down in the desert,
only for the abandoned test craft to mysteriously disappear afterwards, Woods
comes under suspicion from air force authorities who couldn’t see anything but
her craft on their radar screens at the time of the incident. Steve believes
her story and busts her out of the military hospital where she’s being held for
“evaluation” and together they uncover a plot to steal expensive military prototype craft
by using holograph projections, beamed from a secret desert location, to create the
Bermuda Triangle-like disorientation effect that forced her to bail out.
Steve lets Kelly know how special she is to him. Farrah Fawcett- Majors -- making her final guest appearance on the show. |
The feature-length episode The Thunderbird Connection contains more stock
flight footage and has Steve joining up and flying with the US air force aerobatics
display team known as The Thunderbirds, for an aerial show scheduled to take
place in a Middle Eastern country that’s just been the site of a coup organised by
Air Marshal Mahmud Majid (Robert Loggia), who claims power in the name of the
young prince Hassard, the son of the recently assassinated King. The OSI knows that
Majid plans to have the prince disposed of in just the same way as he removed the father, but
Steve’s rescue plans soon fall into disarray when he discovers that the youngster
is completely under Majid’s influence, and the plan to smuggle him
out of the country in the specially-constructed nosecone of his
Thunderbird display crafts ends up turning into a suicide mission when the
prince stupidly betrays the plot to the authorities and Majid has a bomb secretly
planted in Steve’s cockpit, hoping to kill two birds with one stone. Another
undercover mission turns equally hairy in the episode Taskforce
when, having successfully infiltrated a heist gang which is preparing to hijack
a nuclear missile while it’s being transported by road via San Diego to a Nevada
test site alongside an OSI escort, Steve finds himself under lockdown at the
gang’s hideout, unable to communicate with Oscar to warn him that the head of
the military escort employed to guard the missile is in fact in the pay of the hijackers. This particular episode also marked the final appearance on The Six Million Dollar Man of Jennifer
Darling as Oscar’s secretary Peggy Callahan. Meanwhile, in the episode The infiltrators, Steve again goes
undercover, this time as an amateur boxing champ for a team that’s been built around
foreign defectors secretly trained as a hit squad. The OSI has to uncover
the gang’s target; and to get Steve on the boxing team he and Rudy contrive an
amusing way of removing one of the legitimate competitors so that Steve can
take his place: the athlete is persuaded to believe that his strength has failed him and
that he needs to pull out of the match and take extensive bed rest, after being
given deliberately mislabelled weights to lift during a fitness assessment in Rudy’s lab.
The dumbbells actually require a good deal of strength just to even be able to pick them up, but
Steve (posing as Rudy’s lab assistant) is able to handle them with ease, using
his bionics to facilitate the illusion that they’re really just trivial
weights, which the athlete should be able to lift without even thinking about them.
Routine adventures such as
those mentioned above are beginning to predominate towards the middle half of the season,
and although they all have their moments, we don’t see anything quite as weird, wild
and imaginative as the Bigfoot or Fembot stories again this year. The other two
episodes which stand out in this particular run though, do so perhaps because
they were originally intended as trial runs for yet more potential spin-off shows,
although ABC's cancellation of The Bionic
Woman made the
prospect of either of them being picked up a remote one.
Steve gets sporty ... in a cow field? A scene from The Bionic Boy, starring Vincent Van Patten (right) and football star Frank Gifford (centre). |
Stephen Macht takes the lead role as re-programmable OSI agent Joe Patton in the episode The Ultimate Impostor. |
The single most unusual
episode of the entire series was also yet another attempt to engineer a spin-off show
-- and once again the effort came to nought. The writers William T. Zacha and Six
Million Dollar Man producer Lionel E. Siegel even had another crack at it a few
years later when they produced a pilot movie of the same name and with a similar storyline,
but with all previous references to the show removed. In this first trial-run version of The Ultimate Impostor though, Oscar and Rudy are seen testing yet another of Dr Wells’
innovations: this time it’s a device which can swiftly wipe and re-programme
the human brain, enabling it to learn any skill or assume any identity in a
matter of seconds. Steve Austin plays no part in the main bulk of the story and
Lee Majors is confined to bookending guest appearances (although a pretext is
found for Steve to display a feat of bionic strength during the opening
segment). Instead, Steve’s pal Joe Patton (Stephen Macht) takes over as the
leading man, presumably to henceforth be sent on missions by Oscar and to have
his brain programmed for them every week by Rudy, should the show have gone to
syndication. Here, Joe is sent undercover programmed with the knowledge and
skills of a dishonest industrial chemist called Lyle Montrose, in order to rescue his
imprisoned girlfriend Jenny (Pamela Hensley) -- another OSI agent -- from a
counterfeiter gang led by someone called Stenger (David Sheiner). The
implausible concept at the heart of the proposed series clearly had potential
to offer a diverse collection of episodes which would’ve allowed Joe to take on
pretty much any new guise each and every week. Yet Stephen Macht seems rather
uncharismatic as a leading man, and the problem remains of how to create
interest in a character whose identity and personality changes every time you
see him. It’s a problem also encountered by the ill-fated Josh Whedon series Dollhouse, which clearly shares fundamental
conceptual DNA with this 1970s spi-fy idea.
And so The Six Million Dollar Man headed towards its fifth and final full
series: the moustache was by now gone (thank goodness) and the last run of
episodes was to rely mainly on some generic military adventure subject matter for
most of its story material, although there are still some interesting variants
scattered amongst quite a few otherwise average stories. It is probably true to say that the
show was finally beginning to run its course and many more stories are
stretched across two episodes in that fifth series than had ever been the case before –
sometimes with rather mixed results. But we shall be taking a more detailed look at
Steve Austin’s final collection of missions in the next blog entry.
THE SIX MILLION DOLLAR MAN: THE COMPLETE COLLECTION
IS OUT NOW FROM FABULOUS FILMS